Featured Blog:

What is Script Coverage?

By Kelsey Opel

You may have heard the phrase before, but — what is script coverage?

Maybe you just wrote your first draft. Or you think you finished your script, but you don’t know what else it needs. What’s next? Do you submit it to contests? Seek representation or producers to get it produced?

Before pursuing any of these goals, the next step should be getting notes. And the best place to start is to find script coverage services.

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Nope is about a man, OJ, and his sister, Emerald, as their horse ranch becomes the spotlight of something sinister hiding in the clouds. They embark on a journey to get the photo of a lifetime.

"What's a bad miracle? They have a word for that?" - OJ Haywood.

OJ poses this question toward the end of the first act, and by the end of the movie, he will answer his own question. The quote has many different meanings, but for this specific article, a bad miracle is the twists in the story. Bad miracles appear everywhere throughout this entire movie from start to finish, and they helped Jordan Peele create the twists in his now third movie. This movie is an excellent example of twists helping everything in the movie, from the plot to the hidden messages. The movie has many different layers, with twists and turns that help give it the depth it needs to stand apart from other movies.

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"Once upon a time, there was a girl, and the girl had a shadow. The two were connected, tethered together. So whatever happened to the girl happened to the shadow…" This line comes from the pivotal moment from the climax of the movie Us, Jordan Peele's sophomore outing as a writer/director.

Us is about a family vacationing in Santa Cruz, and their world is turned upside down when their doppelgängers appear and terrorize the community. Adelaide and her family are trying to figure out why these people are terrorizing the world. Along the way, Adelaide discovers a shocking truth that she's bottled up since childhood.

By Jerrod D. Brito

Typically, a new writer's first goals are simple: write something and then sell it… right? As writers for film and TV, we hope selling a script will lead to our big break in the industry. But what happens next? Overnight success and steady work until we retire rich and respected by all? Unfortunately, it's not always that simple. Even when a writer makes it to the top of the mountain, it doesn't mean they're guaranteed to stay there, as I learned from my screenwriting mentor, showrunner Meredith Post. When an unexpected tragedy halted her skyrocketing career, she was faced with a series of obstacles that made the young screenwriter wish she could rewrite the most personal story of all: her life. For most people, the obstacles in her path would have meant the end of their careers. But Meredith Post is not most people. 

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